Good evening and happy late Halloween, loyal reader! I sincerely apologize for posting this one day late. My Internet connection has been down for the last 24 hours and I finally got it back up, frustratingly, having completely missed the timing of my Halloween countdown. I beg you to bear with me as I republish this post meant for Halloween night. To close the 10 Days Of Halloween Movies on just the right note, it’s only fitting that I present to you a movie tailor-made for the occasion. I’m speaking of course of John Carpenter’s Halloween!
Halloween (John Carpenter, 1980)
Throughout movie history, there are films that became known as templates. They are movies that have single-handedly spawned a whole new genre simply due to the fact that their success caused others to try and imitate them. Jaws is such a film. Star Wars is such a film. And Halloween is such a film.
Although it was one of the earliest slasher movies, it did not invent the genre. The roots of the slasher flick can be found deep, and one might even consider Psycho to be the grandaddy of them all. No, Halloween wasn’t the first slasher movie. However, its success inspired countless others because it was the first monstrously profitable slasher movie.
Made for a budget of $320,000, Halloween racked up millions at the box-office and for a long time held the crown of most profitable movie ever made. And therein lies the reason why Halloween has been imitated so much. Budding filmmakers and established production companies alike saw that they could make a movie dirt cheap by finding a certain location, taking a bunch of young actors who will work for a song, schedule a week or two of shooting and voilà! You got yourself a cheap movie that’s sure to turn a profit due to audiences’ newly-discovered appetite for psycho-killer films.
And like other template movies, the imitators completely misunderstood what made the original great.
The film presents the event of a fateful Halloween day and night on which a ruthless and emotionless homicidal maniac named Michael Myers escapes from the asylum where he was kept since the age of 6. He was put in there for killing his teenage sister in an unforgettable opening scene. Free once more, Michael heads to his hometown of Haddonfield, Illinois. The same town where a young woman named Laurie Strode is stuck babysitting her neighbour’s kids while her friends are out having a good time.
Hot on Michael’s trail is Dr. Loomis, the psychiatrist who has been studying him for years and knows how dangerous he is. Dr. Loomis will do all he can to bring Michael back to where he is convinced he belongs: away from the world. After all, only Dr. Loomis knows the truly evil nature of Michael Myers. And as the masked killer stalks Laurie and her friends, who will survive the night he came home?
I believe Michael Myers to be the scariest of the Big Three slashers (Michael Myers, Jason Voorhees and Freddy Krueger). Whereas Jason is volatile and angry and Freddy is sadistic and wisecracking, Michael Myers never speaks and never has any emotions. He simply is an embodiment of death itself. Notice that Michael never runs, he always calmly walks after his victims. He is patient and relentless, just like death itself. You can hit him, incapacitate him, kick him in the nuts and he won’t get mad. He’ll simply pick himself up and keep going after you. You can run and delay the inevitable, but you cannot escape. Just like death itself. That is where Rob Zombie dropped the ball with his recent remake, making Michael a misunderstood and troubled child who was tormented and driven mad by both a psychopatic nature and endless abuse.
As I mentioned, despite being a slasher film, Halloween is arguably the best the genre has to offer. Director John Carpenter knows how to make the best of his resources and focuses on creating a very creepy atmosphere in an everyday setting, simply by the way he composes the shots. For example, a lot of the time the action will be focused on something in the foreground, while if you are paying attention you will notice Micheal lurking in the background. Look for an instance of this when one of Laurie’s friends, who is also babysitting, has to go to the outside shed.
What I find mostly frightening about the films is its use of familiar settings. Gothic horror films set in old spooky castles or haunted houses were good, but I couldn’t relate to the locations. However, when a point-of-view shot from Laurie’s perspective looks across the street to a normal-looking house, with the silhouette of Michael calmly but relentlessly approaching, I couldn’t help but notice for weeks afterwards how I can look out my own window and see the nightbour’s porch across the street in the middle of the night. And, of course, imagine a figure coming right towards me. The same applies at the end of the movie, where the haunting theme plays and shots of a darkened staircase and a darkened hallway close the film. Guess what? I had a darkened staircase and a darkened hallway in my very own house, and let me tell you it was a task to go there with the lights out after seeing the film!
All this great scene composition, clever use of light and familiar settings and the haunting music combined to make Halloween a landmark film from a very talented director. And that’s precisely why the imitators never came close to duplicating Halloween’s quality. They decides instead to throw in lots of gore and outrageous kills. Don’t get me wrong, a good slasher flick is a lot of fun to watch, but it’s not exactly high-quality filmmaking. Halloween, however, does manage to be both entertaining and very well-made. Do not judge the series by its sequels. Seek out and rent the original if you haven’t seen it. Trust me, it’s more than worth it and will give you a better understanding of template films.
With this the eponymous movie of the season, we bring to a close this 10 Days Of Halloween Movies series of blog posts. I really can’t thank you enough, loyal reader, for your faithful and regular visits and for the comments you have made. I hope I entertained you and made you discover a movie or two. Thanks to movie buffs extraordinaire Andrew for his contribution to part 7 and Preston and Lee for their takes on certain of the movies I’ve chosen.
And as I promised, I am leaving you with a surprise for being such a great and faithful friend, O loyal reader. I have found again an interactive, animated Halloween card I made three years ago. Click
here to open it in a new browser window and use your mouse to click on various parts of the scene for little surprises and animations. I am rather proud of the surprise you will have upon clicking the well. It took forever to animate but I think you will agree the result is fun. Oh, and you will need the Marcomedia Flash plug-in to view the card, if you don’t have it already.
Once again, thank you for your encouragements and readership. I shall see you again tomorrow for a return to regular blogging about whatever will come to mind! Until then… pleasant dreams!